Sharkification is highlighted as the first essay of Cristina de Middel developed in Brazil. In it, the slums of Rio de Janeiro are submerged in oceans with reefs, fishes, mermaids and sharks, in a criticism to the law and to the parallel state that echoes in these communities.8 images
Cristina de Middel is a photographer whose work investigates photography’s ambiguous relationship to truth. Blending documentary and conceptual photographic practices, she plays with reconstructions and archetypes that blur the border between reality and fiction. After a successful career as a photojournalist, de Middel stepped outside of the photojournalistic gaze. She then produced the critically acclaimed series The Afronauts in 2012, which explored the history of a failed space program in Zambia in the 1960s through staged reenactments of obscure narratives. Cristina continuously produces new bodies of work. The series This is what hatred did (2014), Sharkification (2015) and Jan Mayen (2015), to name a few examples were all published as books in 2015. De Middel’s work shows that fiction can serve as the subject of photography just as well as facts can, highlighting that our expectation that photography must always make reference to reality is flawed. Cristina De Middel has exhibited extensively internationally and has received numerous awards and nominations, including PhotoFolio Arles 2012, the Deutsche Börse Prize, POPCAP’ 13, and the Infinity Award from the International Center of Photography in New York. Cristina de Middel lives and works in Mexico.